University of Rochester Faculty
Joanne Bernardi is an Associate Professor of Japanese (Ph.D. Columbia University, 1992). Bernardi's research and teaching interests draw on her background in photography, film and media, and East Asian studies: Japanese popular culture; Japanese and Asian cinema; animation; visual culture and its relation to media of the past; film history, culture, and historiography; film and media archiving and preservation, early and silent cinema; orphan and "lost" film; nuclear history and the visual image. Some of her recent courses include: Atomic Creatures: Godzilla; Tourist Japan; History of Japanese Cinema; Film as Object; Anime: Japanese Animation; as well as Mobsters, Monsters, and Swords.
Joel Burges is an Assistant Professor of English. Burges is currently working on two book projects, a manuscript titled Turning Back the Clock: Technological Obsolescence and Historical Time in Contemporary Culture and, as co-editor with Amy J. Elias, a collection entitled Contemporalities: Keywords for the Present. Working at the intersection of post-1945 cultural studies, critical theory, and media studies in these projects, Burges is rethinking ideas about time and history that have unduly dominated thought for the past thirty years; he is interested in how that which we have rejected as obsolete, outdated, and old-fashioned figures centrally in the works of post-1980 novelists and filmmakers as a repository for alternative modernities and alternative temporalities, such that the past supersedes the future as the temporal horizon of art and politics alike in their work. Burges is also working on a book titled Literature after TV, which explores the intersection of the literary and the televisual both before and after 1945.
Elizabeth Cohen is an Associate Professor of Art. Her research interests include: contemporary art and video production, critical theory, three-dimensional media, and new media production.
Jennifer Creech is an Associate Professor of German. Her research and teaching interests include: late 20th-century German literature, film and culture; cinema studies; Marxist and feminist theories. Some recent courses Creech has taught are: Cinema & Revolution, Hollywood Behind the Wall, 20th-century Gender & Sexuality, Marx & Marxism. Professor Creech's current research explores the critical impulses in East German women's films, and the revolutionary and reactionary aspects of post-unification representations of the East.
Douglas Crimp is Fanny Knapp Allen Professor of Art History and teaches in the Ph.D. Program in Visual and Cultural Studies. He teaches courses on contemporary art, performance, film, photography, and architecture. In the spring of 2009, he will teach a course on dance film in Performance Studies at NYU. He has also been Visiting Professor at UCLA, the University of Manchester, Princeton, and Rutgers. Crimp is the recipient of two Art Critics' Fellowships from the National Endowment for the Arts and the College Art Association's Frank Jewett Mather Award for Distinction in Art Criticism. His books include Melancholia and Moralism: Essays on AIDS and Queer Politics (MIT Press, 2002) and On the Museum's Ruins (MIT Press, 1993). He is currently completing a book on Andy Warhol's films and writing a memoir of New York in the 1970s.
Morris Eaves is a Professor of English. He teaches courses on British Romanticism, media studies, media history, editorial theory and practice. Morris Eaves's research has been principally concerned with literature and the visual arts and with the cultural contexts of British Romanticism, especially the interlocking histories of technology and commerce. His interests in multimedia editing, media history, and British Romanticism are combined in his work as a project director and editor of The William Blake Archive, the online digital edition of Blake's literary and artistic work, sponsored by the Institute for Advanced Technology in the Humanities (University of Virginia) and the Library of Congress.
Sarah L. Higley is a Professor of English. She teaches courses on medieval vernacular languages and literature of Northern Europe, film and media studies, fiction. Higley's primary interests lie in northern medieval literatures with an early emphasis on language, linguistics, and poetic structure. Her later work in fantasy and science fiction led her to explore medieval and modern notions of magic, machinery, monstrosity, and artifice. Her recent publications investigate the early origins of the werewolf, the medieval concept of the "robot," and manifestations throughout time of "simulacra." Lately, Higley has become interested in miniatures and artificial languages.
June Hwang is an Associate Professor of German. Her research and teaching interests include: early twentieth-century literature, film and culture; German Jewish topics; urban spaces; questions of modernity; film theory; critical theory. Some recent courses Hwang has taught include: The Urban Imagination, Strangers in a Strange Land: German Jews, On the Move: Travelers, Wanderers, and Explorers. Her current work explores how discourses of wandering, urban alienation, and the stranger intersect in the figure of the German Jewish intellectual.
John Michael is a Professor in English/Visual and Cultural Studies. His research interests include: 19th- and 20th-century American literature; critical theory, and cultural studies; problematics of national identities in American literature and culture; contemporary relations between academic intellectuals and democratic politics; the complex interrelations between the reading of literature; the demands of ethics, and the problems of historical knowledge. His books include: Identity and the Failure of America from Thomas Jefferson to the War on Terror, Anxious Intellects: Academic Professionals, Public Intellectuals, and Enlightenment Values and Emerson and Skepticism: The Cipher of the World.
Jason Middleton is an Associate Professor of English and Visual and Cultural Studies. He teaches courses in film studies; documentary film and video; theory and practice of experimental film and video; Hollywood genres, including comedy and horror. Some recent courses Middleton has taught include: Issues in Film: Documentary, Mock Documentary, Reality TV; Introductory Video and Sound Art. Middleton's research interests currently include the revision for publication of his manuscript, titled Documentary/Genre. The project brings together scholarship in the areas of documentary and genre studies, examining the under-theorized affective and bodily dimensions of documentary spectatorship. He is also an award-winning experimental filmmaker, whose work has screened at a variety of festivals and other venues in the U.S. and internationally, as well as on public and satellite television.
Raúl Rodríguez-Hernández is an Associate Professor of Spanish. He has published extensively on Hispanic literatures and cultures, including postmodern fiction, cinema, alterity and art, and European philosophical traditions in Latin American texts. The aesthetic representation of the "past"—how writers and artists incorporate the cultural remains of the past millennium—are central to his research. His book Mexico's Ruins: Juan García Ponce and the Writing of Mexican Modernity was published in 2007. He is currently writing a book on Latin American architecture.
Claudia Schaefer is a Professor of Spanish (Ph.D., Washington University, 1979). Her research and teaching interests encompass all aspects of cultural production in Latin America and Spain of the nineteenth, twentieth and twenty-first centuries. She has published five books and numerous articles in these areas. Her latest book is a biography of Frida Kahlo (Greenwood Press, 2008). She is currently writing on the Mexican film director Arturo Ripstein, and is completing a volume on anarchism and utopian thought.
Reinhild Steingröver is the chair of the Humanities department and Professor of German and Film at the Eastman School of Music, University of Rochester. Steingröver is the author of Last Features: East German Cinema’s Lost Generation (2014), which appeared in German translation as Spätvorstellung: Die chancenlose Generation der DEFA in December 2014. She also authored a monograph on Thomas Bernhard (2000) and co-edited with Randall Halle the volume After the Avant-garde: Engagements with Contemporary German and Austrian Experimental Film (2008), as well as the anthology Not So Plain as Black and White: Afro-German Culture and History, 1890–2000 (with Patricia Mazon, 2005), as well as numerous articles. Steingröver has curated silent film/live music programs for the George Eastman Museum, Rochester Institute of Technology, and the Cinematheque Berlin. In 2009, she co-curated with the DEFA Film Library at UMASS Amherst the film festival Wendeflicks: Last Films from East Germany in Los Angeles.
Allen C. Topolski is an Associate Professor of Art. His research and studio practices focus on production that incorporates found materials and a variety of processes to explore nostalgia and memory in technologies of domesticity and convenience.
Some recent courses Topolski has taught include: Markings, Methods and Materials; Visual Production; and 3D: (Re)Collecting the Object.
Sharon Willis is a Professor of Art History and Visual and Cultural Studies. Her research interests include: feminist theory, film theory and visual analysis, cultural studies, and modern French literature and literary theory. Her publications include: Marguerite Duras: Writing on the Body (1986), Male Trouble, co-editor, with Constance Penley (1993), High Contrast: Race and Gender in Contemporary Cinema. Her current book project is Islands in the Sun: The Civil Rights Movement and Its Legacies in Film 1949-2003. Some recent courses Willis has taught are The Films of Jean-Luc Godard and Film History: 1929-1959.
George Eastman Museum Staff
Kyle Alvut, Manager, Digital Laboratory
Kyle Alvut worked as colorist at Eastman Kodak Company in Rochester, NY. He directed operations in the Entertainment Imaging Film & Digital Systems Laboratory, and he brings experience in traditional and digital color correction, video and digital post-production workflow, and digital intermediate applications. In addition to guest lectures for the Digital Cinema program at the Rochester Institute of Technology, Alvut also teaches an adjunct course in Digital Color Correction for both BS and BFA students in the School of Film and Animation. Most recently, he has provided lectures to students of the Selznick School at the George Eastman Museum in Film to Digital Transfer Systems.14.
Jared Case, Head of Collection Information, Research and Access
A 2002 graduate of the L Jeffrey Selznick School of Film Preservation, Jared Case oversees the Moving Image Department's catalog and cataloging procedures as well as providing access to on-site researchers, in-house exhibitions, and international film loans. He now instructs new students of the Selznick School in these areas. Case is a film noir aficionado. In December 2011, Case appeared on Turner Classic Movies with Robert Osborne, promoting the George Eastman Museum and its preservation efforts during the network's 24-hour salute to the museum.
Paolo Cherchi Usai, Senior Curator
Paolo Cherchi Usai is Curator Emeritus of the National Film and Sound Archive of Australia, co-founder of the Pordenone Silent Film Festival and of The L. Jeffrey Selznick School of Film Preservation. He is Resident Curator at the Telluride Film Festival. He directed the experimental film Passio (2007), adapted from his book The Death of Cinema (BFI, 2001). His most recent work is Film Curatorship: Archives, Museums, and the Digital Marketplace (Synema, 2008).
Spencer Christiano, Projection Specialist
Spencer is a Rochester native and a graduate of both the SUNY College at Brockport Theater Department (B.S.) and the MCC Visual Communications: Photography/Television Program (A.A.S.). He was Chief Projectionist of the Cinema Theater for 9 years, and for 2 years was Technical Manager of the MuCCC Theater, where he is currently an artist in residence. He is very active in Rochester's performing arts community, and has directed, designed, and managed over 200 theatrical, dance, mixed media, and conceptual art productions. In his other life, he is a published playwright, poet, journalist, and writer of short fiction; a director, stage manager, and actor; and a lighting, sound, and set designer.
Kelsey Eckert, Project Archivist
Kelsey Eckert is a 2014 graduate of the L. Jeffrey Selznick School of Film Preservation. She also holds a BA in art history from the University of Pittsburgh. Eckert is currently working on a grant project to digitize the museum’s Technicolor-related papers and notebooks.
Ken Fox, Project Archivist
Ken Fox received his BA in English from Haverford College and is a 2011 graduate of the L. Jeffrey Selznick School of Film Preservation/University of Rochester MA program. In 2013 he earned an MS in Information Science from the University at Albany. Before moving to Rochester in 2009, Fox lived in New York City where he worked as a film reviewer for TV Guide and edited several volumes of the Virgin Film Guide.
Nancy Kauffman, Archivist, Stills, Posters, and Paper Collection
Nancy Kauffman received her B.A in English from Arizona State University in 1987 and her master's in library science from Emporia State University in 2004. She graduated from the L. Jeffrey Selznick School of Film Preservation in 2005. She worked as a paralegal in litigation and environmental law for sixteen years in Portland, Oregon. Kauffman joined the Moving Image Department shortly after graduating from the Selznick School as a curatorial assistant. In 2007, she was promoted to Stills Archivist.
Anthony L'Abbate, Preservation Officer
Anthony L'Abbate is a 1999 graduate of the L. Jeffrey Selznick School of Film Preservation, after graduation he worked for two years at the Cinema Arts Laboratory, in Angels, Pennsylvania, as their contact printer. He returned to the George Eastman Museum in the fall of 2001 as the stills archivist. Since March 2007, he has worked in preservation.
Sophia Lorent, Curatorial Assistant
Sophia Lorent was born and raised in Madison, Wisconsin. She received her BA in history at University of Wisconsin–La Crosse in 2012. While attending school, she worked for the UW-L Oral History Department digitizing cassette recordings and interned at the Wisconsin Center for Film and Theater Research in the summer of 2012. She is a graduate of the L. Jeffrey Selznick School of Film Preservation class of 2014. In 2015, she completed her MA at the University of Rochester. As curatorial assistant, she is responsible for research and access, through assisting on-site researchers and answering inquiries about the department’s many collections.
Jurij Meden, Curator of Film Exhibitions
Jurij Meden was born in Ljubljana and grew up attending the Slovenian Cinematheque, where he later served as the curator of film exhibitions and occasional film restorer. He has twenty years of international experience in curating film programs, lecturing, publishing and writing about cinema.
Gordon Nelson, Digital Technician
Gordon holds a BFA in Cinema from Edinboro University and he is a 2015 graduate of the L. Jeffrey Selznick School of Film Preservation. His professional background includes working as a filmmaker, educator and curator. His films have been screened at many venues, including MoMA and Anthology Film Archive. He has taught film and video courses at MassArt, Pittsburgh Filmmakers and the University of Rochester. He programmed 35mm film screenings for the Carnegie Museum of Art and he helped establish and operate Jefferson Presents, a Pittsburgh-based experimental microcinema collective active from 2000-09.
Deborah Stoiber, Collection Manager
Deborah Stoiber is from Fresno, California, where she received her BA in economics from California State University, Fresno. After graduating from the L. Jeffrey Selznick School in 1998, she worked at the National Baseball Hall of Fame and Museum in Cooperstown, New York, assessing their 16mm collection. Returning to Rochester, she was the assistant vault manager of the William K. Everson Collection at the George Eastman Museum, from 1998 to 2000 and the nitrate vault manager of the Louis B. Mayer Conservation Center at the museum from 2000 to 2010. In 2010, she became the collection manager of the Moving Image Department’s film and video collection, holdings of more than 100,000 reels in nitrate and safety stock. Stoiber works to keep this film heritage in the best conditions possible, so that they may last for generations. As an instructor in the L. Jeffrey Selznick School of Film Preservation, she teaches the identification, storage, and inspection of motion picture film. She is also the technical director of the Nitrate Picture Show.
Jeffrey Stoiber, Assistant Curator, the L. Jeffrey School of Film Preservation
Jeff Stoiber has both his BA in Media Studies (1993) and his Masters of Library Science (1997) from the State University of New York at Buffalo, his hometown. While completing his MLS he interned at both the American Film Institute and the George Eastman Museum. The Eastman Museum internship led to his employment as the Administrator of the Selznick School a position he has held since 1997.
Edward E. Stratmann, Curator Emeritus
Ed Stratmann started at the museum on December 12, 1974. He was hired by James Card and has worked for all curators/department heads of the Moving Image Department. He began his career at the museum as a curatorial assistant, working with nitrate films and, over the years, has been film technician, vault manager, projectionist, in charge of the study center, assistant curator, and associate curator. Stratmann ran the preservation program at the George Eastman Museum from 1988 to 2010. He received the AMIA Dan and Kathy Leab Award and the Pordenone Preservation Award, both in 1998. He is the only current staff member that has taught and worked with all the years of the Selznick School. Stratmann is also a founding member of AMIA (Association of Moving Image Archivists) and has served on the AMIA Board of Directors as secretary. Ed has been a member of SMPTE (Society of Motion Picture and Televison Engineers) for more than ten years, has been on the local board of managers three times.
Patrick Tiernan, Theater Manager
Patrick is the Dryden Theater Manager and a part-time projectionist. He is a Rochester native and received a BS in English with a minor in Film Studies from SUNY College at Brockport. He has worked as a projectionist at the Cinema Theater and the Little Theater. His responsibilities include operations and box office management, working closely with the film programmer, chief projectionist and publicity departments, maintaining the theatre and lobby, updating the website and database, and being of service to theatre patrons.
Ben Tucker, Assistant Collection Manager
Ben Tucker was born and raised in Nitro, West Virginia and received a degree in film studies from the University of Pittsburgh. Following graduation he worked in various positions at Pittsburgh Filmmakers and then in the Film & Video Department at the Andy Warhol Museum. In 2002, he moved to Rochester to attend the L. Jeffery Selznick School of Film Preservation and has been an employee of the Moving Image Department since graduation.
Tim Wagner, Film Technician
Tim Wagner is from Buffalo, New York where he received his BA in Media Production & Distribution from SUNY Buffalo. He graduated in 2001 from the L. Jeffrey Selznick School of Film Preservation. Wagner has experience working in film and video production & post-production, theatrical projection, broadcast television, distance learning, corporate communications, archival projection and film handling. He participated in archival staff exchanges with the National Library of Norway and the National Film and Sound Archive of Australia. His passions include amusement parks, roller coasters, movie theaters, and band organs.
Caroline Yeager, Assistant Curator, Administration
Caroline Yeager has been a staff member since 1998, when she graduated from the L. Jeffrey Selznick School of Film Preservation. She has 25 years of experience working in performing arts, an MFA from Temple University (1975), and a BS from SUNY Brockport (1972). As assistant curator, she works on the glamorous side of archiving: writing grants to support the collections and developing exhibitions for public access.